Pyramid|1441544124|3924249 said:I notice both diamonds have lower girdle pavilion of 80% so the wider arrows must just be because of the bigger diamond.
No it is different.Pyramid|1441545472|3924257 said:KarlK is this what gemologists mean when they speak of the crystal - the personality. Is this something to do with a diamonds personal grain growth or transparency. Also like the chemical make up percentages. Such as Type11 diamonds like Golconda are different. Is there divisions of chemical make up WITHIN each Type in the same way we have minute differences and scales within one color grade?
D_|1441525126|3924205 said:I know GIA Ex cut grade allow for some degree of variations.
If this the case, can this possibly explain the less sparkle?
Yes, definitely - more info here: http://www.diamondcut.gia.edu/06_estimating_a_cut_grade.html
The rounding used by the system is as follows:
Total depth is rounded to the nearest multiple of 0.1%
Table size is rounded to the nearest multiple of 1%
Crown angle is rounded to the nearest multiple of 0.5°
Pavilion angle is rounded to the nearest multiple of 0.2°
Pavilion angles ending in odd numbers are always rounded UP, for example 40.7° would be rounded to 40.8°
Star length is rounded to the nearest multiple of 5%
Lower-half (lower-girdle facet) length is rounded to the nearest multiple of 5%
But the ASET/IS images don't seem reflect this - is it because they measure the light performance - as in, total light return versus personality (i.e. how light is refracted/reflected)?
And yes again - this has come up a couple of times in other discussions, and our experts (including Garry) generally agree that neither IS nor ASET are sensitive enough to highlight nuances in light return caused by inclusions like clouds or dispersed wide-spread wisps...
Pavilion (pavilion mains) is listed as 40.8 for both stones; lower halves (lower girdle facet length) is listed at 80% for both stones.Pyramid|1441544124|3924249 said:I notice both diamonds have lower girdle pavilion of 80% so the wider arrows must just be because of the bigger diamond.
Mains and lower halves are closely related and that relationship is independent of table/crown facets (kite, star, upper girdle), but I agree (and prefer!) that smaller table reflection (function of shallower pavilion and smaller table) showcases the arrowssolgen|1441559679|3924313 said:Smaller table makes the arrows appear fatter as well.
Yssie|1441562337|3924332 said:I think that what you're seeing is probably a combination of things, as others have already indicated in this thread.
To suggest that clarity characteristics have no effect on light return is inane, and it's disappointing that your appraiser treated your question with disdainAs Bryan said - of course they do!! Neither GIA nor AGSL consider inclusions or stone body colour when assigning cut grade - GIA's cut grade is strictly proportions-based, and AGS's DQD Light Performance evaluation is a simulation (PGS) again based strictly on faceting. When evaluating clarity graders have five considerations, listed in no particular order:
-nature (type)
-size
-relief
-location
-number
More discussion on clarity grading: [URL='https://www.pricescope.com/community/threads/clarity-grading-question.154174/']https://www.pricescope.com/community/threads/clarity-grading-question.154174/[/URL]
When plotting inclusion diagrams on the report the most 'severe' inclusion (grade-making) is listed first. Inclusions closer to the top of the stone are drawn in the top view and inclusions closer to the bottom of the stone are drawn in the bottom view, and to read the two plot diagrams imagine that the paper is folded between the top and bottom views, so 9 o'clock on the top view and 3 o'clock on the bottom view both represent the same side of the stone. The H SI2's inclusions are primarily on one half of the stone (both top and bottom views) - it's impossible to see in JA's video but I'll bet good money that the wisps in the the top view of the H SI2 extend further down into the stone, closer to the middle, than the wisps in the J SI1... inclusions like wisps and clouds nearer the middle/bottom of the stone (closer to the culet) can have more deleterious effects on light return than if they're closer to the table because more light paths will pass through them, so their effects are multiplied.
And... well... diamonds definitely do come in different flavours, and you might be discovering that you have stronger preferences than you thoughtI personally have a strong personal preference for very-small-table very-steep-crown MRBs and to me larger-tabled lower-crowned stones just don't look as "lively", but of course that's not the case and others might well say exactly the opposite! In this case, ignoring any clarity implications, both stones are promising by the pictures, and you did note that you thought both were sparkly - just that to your eyes one is sparklier than the other
Would it be possible to go down to see some more stones in-person, or have the J sent out again (or sent to a local appraiser)? You mention possibly doing both of those... I definitely think you'd get a LOT out of it! These sorts of nuances really have to be seen to be pegged and filed, IMO![]()
D_|1441566271|3924353 said:I was actually referring to the variation in cut in terms of symmetry (also because GIA rounds off numbers like Yssie has explained).
I just thought there were variations in crown angle or table & girdle not parallel, but maybe it was the way pictures were taken.
I thought that if there were such variations, then light will be reflected differently (e.g. some at 45 degree, 49 etc. instead of all 45 degree) so our eyes capture the sparkle differently. ASET and IS images look good, but I was wondering if it's possible for ASET & IS images to look good yet the diamond has less "sparkle" because ASET and IS show whether intense, less intense light return and light loss, but may not show how light is reflected within a narrower range (i.e. personality). Hence, maybe the H is a beautiful stone, just reflecting light slightly differently and some people may deem it as having less sparkle. Give the same J & H to some other people and they may like the H better, like Karl may have mentioned above (though I understand that's a moot point here since it's what the OP likes would matter).
Upon looking at the symmetry classification again, looks like that is not the case here.
http://www.diamondcut.gia.edu/pdf/polish_and_symmetry.pdf
GIA Ex Symmetry/Cut (no symmetry features to minute symmetry features that can be viewed with difficulty face-up at 10X magnification) allows for "symmetry features such as misaligned, misshapen, non-pointed, or extra facets that are barely visible."
diamondseeker2006|1441565057|3924342 said:I should add that probably no phone rep knows as much about cut as Yssie and Karl (not counting jewelers such as Jonathan, Bryan B, Wink, John, etc.).![]()
cinnamonstick|1441561314|3924325 said:TY Solgen![]()
Did you mean "it could come down" (not "I")?
If so, that is exactly what I am thinking. It's probably more of a clarity issue that is interfering w/ some of the sparkle. Guessing this is why it is graded and SI2, even though technically, it's a tripX.
Also maybe "personality" bc it still is a beauty
Wink|1441567372|3924360 said:I will follow Karl's example and not speak directly to these two diamonds, but generally, having the shorter pavilion lower halves, especially when coupled with proper pavilion and crown angles as well as optical symmetry, will result in larger thicker arrows which will result in larger flashes of both white and colored light. If you like dispersion, you will normally see more of it in a properly cut diamond with 76% lower halves than you will in one with 80% lower halves. This is because for dispersion (fire) to be visible as colored light, it must be wider at the point where it enters the pupil of the eye than the pupil. If not, all of the light, dispersed or not, will enter the eye and when all of the colors of the rainbow present themselves to the retina of the eye, they are perceived of as white light. It is only when some of the color(s) are clipped that we see the wonderful flashes of reds, blues, yellows and greens that many of us have come to love so much. Thus the larger and more cohesive the facets and virtual facets are, the more likely that we will see dispersion.
In this case, where both diamonds are at 80% lower halves, it becomes an issue of optical precision between two diamonds. One might produce wider arrows than the other as one is a larger virtual facet while another may be two or three virtual facets in the same area, each producing smaller flashes of white and colored light.
...
Wink
P.S. Yssie commented several times while I was writing this and I remember our discussion that she mentions well. She and I have different tastes in what we prefer and I love her attitude that I am allowed to have my opinion, so long as I respect her right to hers. It is an attitude that so many PriceScopers share, and many of them are in this thread to offer assistance to our OP. It is one of the things that I love about PricesScope.
P.P.S. Yssie's penchant for steep crown angles with very small tables normally leads to LOTS of dispersion, which I love.
Wink|1441567372|3924360 said:When I went to GIA in 1975 I was taught that unless the inclusion touched the pavilion surface that it was plotted from the top. It is entirely possible that this has changed, along with so much of what I learned way back then, but I have concentrated my continuing studies on cut and its effects on beauty more than on clarity so I will not say for certain that this is still true.
cinnamonstick|1441569637|3924373 said:Dancing Fire (love the name)- Can't do a J.Not even for that perfect J (really was!).
Wink- Thank you for your expertise and comments. Optical Semmetry (for my eyes). Sounds accurate. The J had fire with many colors (green, blue, red...rainbow) fm what I recall. I was wondering if the multiple colors were do more to the warmth of the stone. I suppose not, rather cut. The H has some color and a lot of white flashing light (to me). Dispersion. Your knowledge is more technical for my understanding but I believe I am getting the gist of it. Possibly cutting more than clairty. Its nice to hear a variety of important without and having posters argue.
Agree this is what makes PS wonderful. Simple respectd
D, agree. Some may prefer the H and some J. I always felt jewelry was "personal" (taste) and diamonds are the same way! Beauty is in the eye of the beholder. Neither is wrong. Simply personal preference.
Yssie|1441572430|3924391 said:Wink|1441567372|3924360 said:When I went to GIA in 1975 I was taught that unless the inclusion touched the pavilion surface that it was plotted from the top. It is entirely possible that this has changed, along with so much of what I learned way back then, but I have concentrated my continuing studies on cut and its effects on beauty more than on clarity so I will not say for certain that this is still true.
Wink - thank you for bringing this up!
I'm looking through the notes I usually keep of reference material and can't for the life of me figure out where I got this particular nugget, and - frustratingly!! - I can't find *any* public documentation from GIA or AGSL that addresses this specific question! I'm much inclined to take your word on itI contacted GIA to ask as well, and I'll be interested to find out if the plotting methodology remains as it was when you were there.