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Hey Bill,Date: 11/12/2006 9:25:00 AM
Author: He Scores
Paul,Date: 11/12/2006 8:24:18 AM
Author: Paul-Antwerp
As this particular post is my 1''000th post on PS, I took the time to contemplate what its subject should be. And of everything I have read here in the past days, the above highlighted sentence is a good candidate for ''observation of the year''.Date: 11/10/2006 12:36:20 PM
Author: Cehrabehra
Yeah but Jon, most folks (aka consumers) don''t care about almost *anything* we talk about here LOL!! When I got here I found it frustrating to be told right off the bat ''Educate yourself!'' and to quickly find that that education really was reserved for rounds. When the consumers decide to know, it should be available for them TO know. We shouldn''t just assume that because right now they don''t even know the difference between a princess and an asscher, that when they DO decide they want to know more, they shouldn''t have good access to the difference between a 2 and 4 chevron princess and what that means.Date: 11/10/2006 9:55:37 AM
Author: Rhino
I agree Cehra. The thing is I don''t think most folks care about the number of chevrons perse as most princess cuts on the market (including AGS Ideals) primarily consist of 3-4 chevron pavilions. The more folks get educated on the subject however and view them, only then will demand increase for one style over another. The folks we''ve showed this comparison to have been a pretty even split that I can recall. Perhaps I should hold a survey (once Tim gets back from vacation) and tally up to see where most consumer preference lies with this?
Peace,
We should indeed realise that most knowledge on cut and most cut-grading tools are based upon the study of round brilliants. At the same time, we should realise that a round brilliant is a rather standardised cut (with a specific faceting pattern) and with cut-quality historically centering around one specific set of proportions (Tolkowsky). As such, it is rather easy to study, but it is very dangerous to automatically apply the acquired knowledge to fancy-cuts.
As this thread shows, in princess-cuts, there is no standardised faceting-pattern, and there clearly is no historic centering-point. The same is true for other fancy shapes, but I need to add, that since we did not venture into cutting these, my knowledge of these is close to zero. May I repeat this: ''You may consider me a diamond-expert, but as an expert, I tell you that I currently know close to nothing about other cuts than round brilliants or princess-cuts.''
Because most studies concentrate on rounds, most of the tools for rounds do not necessarily work for princess-cuts. This is true for idealscope, and even a ASET-photograph gives me insufficient info. Like Jonathan mentioned, to show the difference in character between 2 and 3-line-chevrons, photographs did not suffice, and only video could show part of the difference.
Also, a machine like the Brilliancescope will have more problems with 2-line-chevron-stones, because where one has intenser, but fewer flashes, a machine tested on rounds has a higher possibility of missing these, and of thus screwing up the assessment.
All this to thank you for voicing your frustration and to celebrate my 1''000th post.
Live long,
I admire your humbleness.
I was taught my trade by a man who specialized in fancy shapes and fancy colors. I was taught that the ''beauty of a fancy shape is in the shape.'' To buy a fancy for brilliance is counter productive. The Brilliant is so called because it is that. The most brilliant. The more one deviates from a round the greater the loss of briliance. Straight edges are the least brilliant of all diamonds. When I say brilliant, I''m referring to the reflection of the spectral colors and a good degree of surface reflection from each individual facet. The most popular fancy would likely be a heart of a squatty oval since they lend themselves most closely to a round, but they are far from being the most popular shape. Over my 30 years in the business, the MQ was and the Princess cut now is the most popular fancy. Neither being the most brilliant of diamonds. So much for performance from the standpoint of brilliance. Their is a big difference as we have seen in how well stones like this are made. Workmanship!
This is why, the majority of diamonds cut are rounds, and this is why I agree with your statement highlighted above that assigning brilliance quantification to fancies is erroneous. However, as I pointed out, the making of all diamonds from the cutter''s workmanship by placing one facet on at a time is VERY SIMILAR and in most cases has measurable results that can be evaluated for accuracy.
The complications that arise however are that which of the elements of this facet making are more important than others. One has to be able to separate characteristics of the stone which are individual taste, or are a result of the facet making process rather than facet evaluation in itself.
Bill Bray
Diamond Cutter
On the contrary, I am a strong supporter of using Brilliance and other factors of light performance as a means to judge the cut of fancy-shapes.
I am saying that all studies and tools on the subject of light performance concentrate on rounds, and that the resultant tools do not work on fancy shapes.
Big difference,