Cehrabehra
Super_Ideal_Rock
- Joined
- Jun 29, 2006
- Messages
- 11,071
Wow... I''ve only been posting on this forum for two weeks and I have learned so much it''s incredible. You guys are wonderful! I want to thank each and every one of you who have helped me or taken interest in my quest.
I had an amusing and enlightening day today in my search. On the topic of cushions, I knew more than half of the jewlers I called today. And I''ve only been studying, I mean cramming, for about three weeks. I''ve been studying, I mean contemplating, for 15 years off and on. WHY do I know more than these people? I don''t get that. With cushions being one of the oldest cuts (The Regent http://famousdiamonds.tripod.com/regentdiamond.html was cut over 300 years ago! and it is said to be one of THE most brilliant large diamonds out there and yet you can''t find a reproduction regent cut ANYWHERE????) why why WHY doesn''t anyone know much about them? I''m truly perplexed. With a 300 plus year history, you''d think it wouldn''t be so obscure. But of course I know why it is... we''re all facinated by the brilliance and sparklies that the ideal rounds produce and the depths and mystery that lures an Asscher fan.
I have analyzed over 17 different cuts of cushion. I have played with them in photoshop - creating and erasing cut lines, and I can "see" where evolution has occurred since the time of the Old Mine Cut. If you look closely at the Old Mine Cut you will find a direct relationship between it and... The Regent! So, if I want something realistically quick that mostly resembles a Regent, I would choose an Old Mine Cut. I realized today that the cut I''ve been ''creating'' in my head and on paper, is in a similar way, a decendent of the Old European Cut, with influences from other cuts that I will go into more below.
Let''s consider Asschers for a minute... When I look at these beautiful Asscher cut stones, I see what Storm describes... I get a glimpse into infinity. I like that. It''s alluring to the mind as well as the eye. I like that quality and I want that quality very much. The squared and X''d lines in an Asscher are what keeps it from being *the* cut for me.
I learned today (don''t tease me!) that there are three basic cuts of stone. Brilliants, Step Cuts, and Mixed Cuts. Brilliants and Step Cuts are pretty familiar to all of us, and we see Mixed Cuts mostly in the Radiants and Princesses. But there''s another way of looking at mixed cuts. Rather than complicating the cut to produce more scintillation, how about simplifying the cut (but in a new, modern and *smart* way) down to the basics and allowing it to perform with prismatic perfection. It could be the trend of the future. You never know. Cycles and all that.
The stone design that I am working on is a marriage of ideas on Ideal Rounds, Asschers, Old European Cuts, Old Mine Cuts, and Cushions. It is very simple and I believe easy to cut, easy to analyze, and it is not affected by ratio differences. If I am correct, this cut would work for a 100 as well as it would for a 160. My cut is so simple yet rooted in history, that I believe that it is safe. But will it work? I don''t know. At the very least I think we can all agree there is room for innovation in the land of The Cushion.
The Round Influence
Perfection, Symmetry, Performance, Reliability, Light Analysis,
The Asscher Influence
Symmetry, Depth, Performance, the quality of the stone moving in graduated steps up the side of the stone, and the ability to impart thoughtful beauty without the need for scintilation.
The Old European Cut Influence
Large Prismatic and Symmetrical facet patterns that are interesting to look at even without scintilation.
The Old Mine Cut Influence
Rounded Shoulders, Culet
The Cushion Influence
Rounded Shoulders, Culet, the ability to play with length ratios, and the vast potential of, as yet, uncharted territory for one of the most historic diamond cuts on earth.
If I do this, I''ll need a master cutter, a truly interested vendor, referals to CAD people (I will travel if I need to), and some PS feedback as it develops. Anyone interested? Think I can garner some support for my little experiment here? The design is not complete. Angles need to be decided upon. Smart angles. Smart enough to support consistency should this ever be cut again. I also need to make sure the crown facets are tight with the rest of the design.
I looked back tonight on my first post here and it''s amazing the evolution that has already taken place. Fifteen years of wanting an oval... and fifteen years of being vaguely disappointed in their performance. I came here to look for an oval. Now look at me! LOL Am I insane?? If I do this, you guys can help me name the cut LOL! And then of course, I''ll name the stone
~~~~OR~~~~
Should I just get a round? hehehe... I''m kidding... but I might be able to settle on the right old mine or old european and I notice on Fay Cullen I could find one without too much problem or money... or better yet, use a vendor here to find one that I really like for possibly a better price and more enjoyable experience. I hate that word settle, but I''d be saving myself so much time and effort and money LOL
Thoughts?