Love Street
Shiny_Rock
- Joined
- Mar 29, 2003
- Messages
- 422
More French cuts? Mais oui! Voila....
Introducing my upgrade, which celebrates what DH and I call our "10 Year Togetherness" Anniversary (we got together in 2001, married in 2004).
OK Stats:
Diamond
Carat Weight: 3.04ct
Color: M
Clarity: SI2
Optical Symmetry: August Vintage
Polish: Very Good
Symmetry: Good
Fluorescence: None
Culet: Medium
Width: 8.54mm
Length: 8.57mm
Depth: 5.62mm
Table Percentage: 54.64%
Depth Percentage: 65.76%
Link to stone: http://goodoldgold.com/diamond/7517/
Setting:
Leon Mege, K-colored calibrated French cuts, 7 stones each side and one bezel-set on each side of the gallery.
Ring size: 6 7/8 (sized for my right hand)
NOTE: This stone's lineage traces directly to the illustrious rings of Wintotty and Art Nouveau - so I bow down and pay homage to both of you and your creativity. And I'm happy to join MissyDebby, AngieTaren, and everyone else in the French cut sisterhood!
That said, when I started this journey I had something completely different in mind. I was planning to have Leon make some type of setting with bezel-set step-cut sidestones like his r377 ring. When he got my stone in hand, he explained that such a setting would have an entirely different look than the rings I had been looking at. He said right off the bat that the two things that would really dictate the best setting were 1) my stone's warmth and 2) it's square, 1:1 ratio shape. He was the one who suggested a French cut layout as complementing my stone the best, and he had done a similar low-colored French layout for his wife (and sent me a pic) and remembering how gorgeous Wintotty's ring is I went with it. However, one of my criteria was to avoid pave (I don't think I'm up for the challenge!), so I asked for something different in the gallery. This was in October, and I think he had just finished Art Nouveau's amazing ring, and after briefly discussing what I did not want (i.e. metal work like scrolling), he suggested adding the French cuts to the gallery, which again I thought was perfect.
So I think of my ring as sort of a WARM sister (or offspring? Is that too weird?) of Wintotty & Art Nouveau's inspired pieces.
Well, I have a tendency to ramble but ... time for some pix!!!
Introducing my upgrade, which celebrates what DH and I call our "10 Year Togetherness" Anniversary (we got together in 2001, married in 2004).
OK Stats:
Diamond
Carat Weight: 3.04ct
Color: M
Clarity: SI2
Optical Symmetry: August Vintage
Polish: Very Good
Symmetry: Good
Fluorescence: None
Culet: Medium
Width: 8.54mm
Length: 8.57mm
Depth: 5.62mm
Table Percentage: 54.64%
Depth Percentage: 65.76%
Link to stone: http://goodoldgold.com/diamond/7517/
Setting:
Leon Mege, K-colored calibrated French cuts, 7 stones each side and one bezel-set on each side of the gallery.
Ring size: 6 7/8 (sized for my right hand)
NOTE: This stone's lineage traces directly to the illustrious rings of Wintotty and Art Nouveau - so I bow down and pay homage to both of you and your creativity. And I'm happy to join MissyDebby, AngieTaren, and everyone else in the French cut sisterhood!
That said, when I started this journey I had something completely different in mind. I was planning to have Leon make some type of setting with bezel-set step-cut sidestones like his r377 ring. When he got my stone in hand, he explained that such a setting would have an entirely different look than the rings I had been looking at. He said right off the bat that the two things that would really dictate the best setting were 1) my stone's warmth and 2) it's square, 1:1 ratio shape. He was the one who suggested a French cut layout as complementing my stone the best, and he had done a similar low-colored French layout for his wife (and sent me a pic) and remembering how gorgeous Wintotty's ring is I went with it. However, one of my criteria was to avoid pave (I don't think I'm up for the challenge!), so I asked for something different in the gallery. This was in October, and I think he had just finished Art Nouveau's amazing ring, and after briefly discussing what I did not want (i.e. metal work like scrolling), he suggested adding the French cuts to the gallery, which again I thought was perfect.
So I think of my ring as sort of a WARM sister (or offspring? Is that too weird?) of Wintotty & Art Nouveau's inspired pieces.
Well, I have a tendency to ramble but ... time for some pix!!!