- Joined
- Mar 11, 2013
- Messages
- 2,391
I own or have owned mostly antique stones over the years: an Early Modern Brilliant, a (perfectly symmetrical) Transitional, an Antique Cushion and a very symmetrical OEC.
I also bought and returned several non-Hearts and Arrows MRBs. Those MRBs had splintery facets. They didn’t have Hearts and Arrows. I never liked the MRBs because unlike the antique stones, they “didn’t make sense”. They just didn’t make artistic and geometrical sense when you looked at them, the way my Transitional, for example, did.
Then I bought a Crafted By Infinity diamond and it was totally different from the lower cut quality MRBs I had owned. It is an extremely interesting lively stone. It has incredible personality. It makes beautiful sense: whoever designed it made each facet contribute to the perfection of the light show. It reminds me most of all of my perfect Transitional, which has a tightness and sensibility to its design, as seen in the way its facets function together to reflect light. My CBI is not boring and it’s even not overly perfect, because the light reflections (scintillation) are designed to be surprising not predictable. My CBI is my most dynamic effusive stone. So I think I love my super ideal maybe even more than my old cuts. I don’t even think of it as different from my antique cuts: likewise, I think of it as an astounding piece of art.
I also bought and returned several non-Hearts and Arrows MRBs. Those MRBs had splintery facets. They didn’t have Hearts and Arrows. I never liked the MRBs because unlike the antique stones, they “didn’t make sense”. They just didn’t make artistic and geometrical sense when you looked at them, the way my Transitional, for example, did.
Then I bought a Crafted By Infinity diamond and it was totally different from the lower cut quality MRBs I had owned. It is an extremely interesting lively stone. It has incredible personality. It makes beautiful sense: whoever designed it made each facet contribute to the perfection of the light show. It reminds me most of all of my perfect Transitional, which has a tightness and sensibility to its design, as seen in the way its facets function together to reflect light. My CBI is not boring and it’s even not overly perfect, because the light reflections (scintillation) are designed to be surprising not predictable. My CBI is my most dynamic effusive stone. So I think I love my super ideal maybe even more than my old cuts. I don’t even think of it as different from my antique cuts: likewise, I think of it as an astounding piece of art.