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- Apr 28, 2008
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- 11,676
Circe|1338578828|3207416 said:Looks like a nailhead/leakage to me ... A fisheye has more of a bullseye appearance.
Mara|1338580685|3207438 said:I've seen that in a lot of traditional OEC's... I think of it as head obstruction, but it's not always present. Do the facets light up in other lighting sources or further away from your head or are they always dark.
TitanCi|1338580669|3207437 said:Could it just be tilt/camera angle/how the diamond is sitting on your finger? I know this is an OEC, but Karl had me take a picture of the stone I had before against a bright red background (you saw that thread). I punched a little hole in a few sheets of red paper and had the culet sit in it. Then I snapped a picture straight on... that could help you determine how bad the leakage is (if it's there)
Do OECs leak light in general (vs. modern cuts?)
Dreamer_D|1338586767|3207496 said:Not fish eye. Looks like leakage and maybe some obstruction.
Yssie isn't windowing basically just uber leakage?
Laila all the OECs I have owned -- save one -- showed leakage to some degree. I can post some photos that show it later if you like. Even really well cut OECs will have it to an extent I think. It all depends how hard you look for it. The cut is not about perfection, as you know. My 7mm keystone has leakage under the table. It is not too bad, but because I know what it is I can see it. But it is balanced by really amazing faceting to view up close in dim lighting (a very personal way of viewing a diamond), hardly any obstuction issues, and really nice bold contrast patterning accross the face of the stone. The patterning is what I love about OECs rather than overall light return. I also love a super high crown giving the stone a full and 3 dimensional look. So for me, the plusses outweigh the minuses.
When looking at old cuts, if you are an analytic person, I think there is a little of that type of cost-benefit analysis that accompanies owning this type of stone. For me, when I see an OEC I trust my first gut response because my eyes are well trained, and then do a more throgh analysis later which is less about deciding if it well cut or not but more about learning about its unique personality and deciding if we are compatible![]()
Dreamer_D|1338586767|3207496 said:Not fish eye. Looks like leakage and maybe some obstruction.
Yssie isn't windowing basically just uber leakage?
Laila all the OECs I have owned -- save one -- showed leakage to some degree. I can post some photos that show it later if you like. Even really well cut OECs will have it to an extent I think. It all depends how hard you look for it. The cut is not about perfection, as you know. My 7mm keystone has leakage under the table. It is not too bad, but because I know what it is I can see it. But it is balanced by really amazing faceting to view up close in dim lighting (a very personal way of viewing a diamond), hardly any obstuction issues, and really nice bold contrast patterning accross the face of the stone. The patterning is what I love about OECs rather than overall light return. I also love a super high crown giving the stone a full and 3 dimensional look. So for me, the plusses outweigh the minuses.
When looking at old cuts, if you are an analytic person, I think there is a little of that type of cost-benefit analysis that accompanies owning this type of stone. For me, when I see an OEC I trust my first gut response because my eyes are well trained, and then do a more throgh analysis later which is less about deciding if it well cut or not but more about learning about its unique personality and deciding if we are compatible![]()
Dreamer_D|1338599881|3207603 said:Well, first, as you know, the buttery tone has nothing to do with the cut! That is body color and it a separate issue.
Second, old cuts just are not the blazing white light, fast scintillation machines that modern RBs are. They are subtler, more glisteny, slower... more like step cuts in some regards in how the wearer can appreciate them. You simply may not like OEC optics! They are not a replacement for RBs, but a different cut all together.
All that said, my three stone with OECs is as eye catching as my Aurora and has optics that rival it. So perhaps you are not seeing particularly well cut examples. Would you like help in your search?
Mara|1338603298|3207627 said:Some of those pastels could just be lighting in the pictures too. My stone performs very differently in diff lighting situations. I was thinking today that my stone actually performs it's best in the sunlight, diffused sunlight or natural lighting. Diffused and natural much like MRB's but this stone is amazing in sunlight whereas my MRB never really impressed me much in direct sun.
Someone asked on another thread if I'd seen an ASET of my new stone. I mentioned that I don't think that most of the ways we'd critique a modern stone would be beneficial to these old stones. Even the BEST looking OEC"s I've seen have some leakage...either along the edges or in the table or both. But as DD mentioned, it's that PATTERN that will draw you in. You either love it or you don't. For me the pattern is like the end all to be all. I can get over lots of other things in the stone because chances are that particular pattern in that stone cannot be found in any other stone anywhere, period. Some patterns don't speak to me as much as others. It's such a personal decision--part of the fun of the old cut!!