robbie3982
Ideal_Rock
- Joined
- Jun 28, 2006
- Messages
- 3,960
Who''s ready for Lost tonight??? Do you think this will be the last season? FI heard/read somewhere that the producers don''t want to go on after this season. I hope they do though.
Date: 10/5/2006 1:42:13 AM
Author: Mara
sheesh talk about more questions than answers yet again after watching tonite''s show!! and does anyone else get the urge to punch fish-eyed Ben in the face when they show his beady little eyes?
interesting opening when they were showing the group of them in the ''small hidden community'' thing on the island. and then they alluded to being dharma leftovers. but what is the deal. and why are they totally messing with them?!?!
Dear J.J. Abrams, Carlton Cuse and Damon Lindelhof:
We don''t really blame you. It would take the self-restraint of a saint to not let all of your first season success go to your heads. "Lost" became the water-cooler show of water-cooler shows. Every network has been trying to churn out serialized dramas because of it. You guys made sci-fi cool. You generated a bunch of fans who rival Trekkies in their devotion. And above all, you got monster ratings. It''d only be natural that you thought you could do no wrong.
Where did the second season stumble? In a word: inconsistency. There were some brilliant episodes, and the introduction of the faux Henry Gale rocked. But there were some clunkers too. In season one, you had several dozen people who wanted off the island. In season two they seemed to give up. As well, they didn''t use the hatch for the reasons they originally set out to -- as a place of refuge from the Others.
And then there were the character inconsistencies from Season 1 to Season 2. Locke was a man''s man in Season 1. A man with an intuition about what was happening on the island. In Season 2, Locke became a whimpering crybaby. Michael was among the island''s most decent guys in season one. He was a careful planner and thinker. Last season, however, Michael became a double murderer who barely bothered to strategize about freeing Henry Gale.
So how do you make things better? We''ve got a 10-point plan for you to find your way again (though perhaps we should have made it a 4-, 8-, 15-, 16-, 23- or 42-point plan instead).
1. Solve more mysteries. We can already hear you saying, "But we told people what the hatch was and we showed people that pushing the button actually meant something." Big frickin'' whup.
After two seasons, we still don''t know much about Rousseau.
Or why the Others kidnap children. We don''t know why so many of the castaways crisscrossed paths before boarding Oceanic Flight 815. We don''t know what happened to Jack''s dad''s body. We don''t know how Walt has special abilities. We don''t know what causes things to randomly appear. We don''t know what the smoke monster is. We don''t know how Locke became paralyzed. And so on and so on.
Pick any five mysteries and solve them once and for all. And unlike seasons past, don''t add four puzzles for every one that you solve.
2. Kill off a main character. A real main character this time. The death of a main character would do a lot to restore the sense of danger on the show. As it stands, fans have come to the conclusion that most of the cast is pretty secure. Eliminating someone would change that.
Killing off a main character would also allow you to pull some emotion out of the survivors. Can you remember the near-complete lack of sadness when Ana Lucia and Libby were buried? How can you expect viewers to care when the characters themselves don''t seem to?
3. Plan more. You''ve likely got only a few episodes under your belt. Work out the big picture for the rest of the year if you haven''t already. And focus on the small things too. The fans are detail-oriented and notice inconsistencies. Even minor screw-ups will damage your credibility.
4. Make plot twists more twisty. A lot of last season''s developments were obvious to folks who watched the show with regularity. It was easy to predict that Dave was someone Hurley imagined. And most people connected Eko to that Nigerian drug plane.
5. Forget the flashbacks. Or at the very least, phase them out. They were an interesting storytelling technique in the beginning, but they''ve since grown tired. The flashbacks tend to tell us stuff you''ve already established by previous flashbacks -- Jack doesn''t like his dad, Sun and Jin had a troubled marriage, etc.
The main reason people are tuning in is because of what is happening on the island. Minimizing the flashbacks would go a long way to giving the audience what they want.
6. Develop the characters more carefully. Yes, Jack is Mr. Cool, but does he also have to be a Jack of all trades, able to outshoot Kate and hustle Sawyer? Hurley is a fat, funny guy who had a mental breakdown, but surely there''s more to him than that, right? Kate has self-esteem issues, but does she also have to flip-flop from being a strong, independent woman to being desperate for Jack and/or Sawyer''s approval?
7. Introduce new characters with caution. Remember the lesson of Ana-Lucia. What sounds like a good idea on paper may not work out quite so well on screen. And in case you''re looking for more philosophers to name characters after, how about adding a Rorty, Wittgenstein, Descartes or Socrates?
8. Tone down all the extracurriculars. It''s great that there''s a book and an interactive game and all that, but the fact that all this stuff exists makes us wonder why you can''t simply spend more time planning the series. Plus, it''s a TV show. We shouldn''t have to do homework to keep up with it.
9. Grow up when it comes to women and sex. Just because genre shows have a time-honored tradition of killing off women who have s-e-x doesn''t mean you have to stick to it. In fact, there should be a lot more sex happening. It''s a deserted island after all. People shouldn''t have to buy magazines to see tantalizing pics of your hot stars.
10. Strive for more balance. Keep in mind that some viewers are going to watch an episode once, while others will review an episode frame by frame like the Zapruder film. Try to make sure there''s a good mix of scenes with just one or two characters. And blend in the other castaways so that it''s not just the big guns all the time. Juggle the action, the character moments, the humor and the horror, and you''ll be well on your way to reaching new heights with the show.
Thanks for your time, guys. Best of luck with your third season. We''ll be watching.
Sincerely,
If Raoul Mowatt found himself on a deserted island, he would want a laptop for writing, a couple DVD sets for entertainment, and access to all the amenities in the Swan Station hatch, because vinyl records and showers rock.