How did I do?

Hi everyone,

I'm new to this forum and I'm quite excited that I've found it.  This place is FULL of useful and intreresting facts to help newbies, like me, get educated on diamond purchasing!  Thanks guys!

Let me get to my point.  I just chose a diamond for an e-ring and was wondering how did I do on my selection.

Here is the information (GIA report):

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Round Brilliant
Measurements: 6.17 - 6.22 x 3.84 mm
Carat Weight: 0.90
Color Grade: I
Clarity Grade: VS2
Cut Grade: Excellent

Proportions:
Depth: 62.0 %
Table: 55 %
Crown Angle: 34.5°
Crown Height: 15.5 %
Pavilion Angle: 40.8°
Pavilion Depth: 43 %
Star length: 50 %
Lower Half: 80 %
Girdle: Medium, Faceted
Culet: None

Finish:
Polish: Excellent
Symmetry: Excellent
Fluorescence: None
Clarity Characteristics: Crystal, Needle, Cloud, Feather

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This is all the information I have on the stone, there is no idealscope or anything else provided.  Is there anything I should be worried about when buying a diamond base only on the gia report (i.e. excellent cut)?

Also, when choosing a setting, what ring width would look best for a diamond of this size (2mm, 2.5mm, 3mm...)?  I was think of a simple yet elegant design, something like a classic tiffany or "sleek lines" solitarie ring from whiteflash.

Thanks for the help!!

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"It is also important for the State to inculcate in its subjects an aversion to any 'conspiracy theory of history' for a search for 'conspiracies' means a search for motives and an attribution of responsibility for historical misdeeds."

-Murray N. Rothbard, in The Anatomy of the State



John Swinton [1829-1901] Chief Editorial Writer of the New York Times (Considered "the Dean of his Profession" by his peers), when asked to toast an 'Independent Press' in a gathering at the National Press Club, circa 1880

"There is no such thing in America as an independent press unless it is in the country towns. You know it, and I know it. There is not one of you who dare express an honest opinion. If you express it you know beforehand that it would never appear in print. I am paid... for keeping my honest opinions out of the paper I am connected with. Others of you are paid similar salaries for doing similar things....

The business of the New York journalist is to distort the truth, to lie outright, to pervert, to vilify, to fawn at the feet of Mammon, and sell his country and race for his daily bread, or for what is about the same thing, his salary. You know this, and I know it and what foolery to be toasting an 'independent press.' We are tools, and the vassals of rich men behind the scenes. We are jumping-jacks. They pull the strings and we dance. Our time, our talents, our lives, our possibilities, all are the property of other men. We are intellectual prostitutes."

~~~~~~~~~~~~~~~~

"It is also important for the State to inculcate in its subjects an aversion to any 'conspiracy theory of history' for a search for 'conspiracies' means a search for motives and an attribution of responsibility for historical misdeeds."

-Murray N. Rothbard, in The Anatomy of the State



John Swinton [1829-1901] Chief Editorial Writer of the New York Times (Considered "the Dean of his Profession" by his peers), when asked to toast an 'Independent Press' in a gathering at the National Press Club, circa 1880

"There is no such thing in America as an independent press unless it is in the country towns. You know it, and I know it. There is not one of you who dare express an honest opinion. If you express it you know beforehand that it would never appear in print. I am paid... for keeping my honest opinions out of the paper I am connected with. Others of you are paid similar salaries for doing similar things....

The business of the New York journalist is to distort the truth, to lie outright, to pervert, to vilify, to fawn at the feet of Mammon, and sell his country and race for his daily bread, or for what is about the same thing, his salary. You know this, and I know it and what foolery to be toasting an 'independent press.' We are tools, and the vassals of rich men behind the scenes. We are jumping-jacks. They pull the strings and we dance. Our time, our talents, our lives, our possibilities, all are the property of other men. We are intellectual prostitutes."