|
|
|
|
That''s too bad. Modern Jeweler also has decided to end it''s paper copies, and is only e-copy now. Is Lapidary Journal also affected? I haven''t heard anything about that. |
|
|
|
|
I actually quit buying Colored Stone a year or so ago. It just got so darn thin, there was hardly anything in it except adds. Several years ago, the magazine was 2 or 3 times thicker, plus it seemed to be geared more to finished jewelry lately, rather than stones.
The website was the big collecting pot for the gemshows, so I wonder where all that information will end up. |
|
|
|
|
It was a good magazine at one time. David Federman tried to inject some new editorial energy by engaging in controversy, but I think the magazine lost some credibility when he got on the wrong side of the paraiba tourmaline debate. I think running a gemstone magazine is probably a marginal business at the best of times, and the tough economic climate finished them off. It''s a pity really.
|
|
|
|
|
I think that''s part of the reason. Dead tree journalism is on the way out across the board and there are many causes, not the least being current economics. Major newspapers are folding almost daily and even Editor & Publisher, the 100+ year old newspaper trade organ, ironically announced yesterday it''s ceasing publication. Apart from the economic downturn, one of the major reasons is the internet. Paper publications in general have failed to adapt to the new reality. A second is that most people no longer read anything much longer than a paragraph or two. "Sound-bite" attention spans are extremely short and articles that deal with complex subjects have very limited readerships. People have become attuned to visual presentations, texting and near-instant gratification. Interweave failed to identify a specific target readership and go after it. The appointment of Federman as editor was the kiss of death in my opinion. He''s always been a "puff-piece" editor, depending on a few "old faithful" article sources, rewarding them with what is essentially free advertising (not an unusual ploy in gem industry publications I might add; it''s often difficult to distinguish the articles from the advertising.) Federman takes the practice to nearly an art form. That creates hostility from advertisers who aren''t so favored. I fully agree with your point about Federman choosing the wrong side in the "andesine wars." First, editors shouldn''t pick "sides." Their job is to present the arguments as clearly, fairly and completely as possible, then let readers make up their own minds. But his need to be a controversial "rainmaker" to stimulate circulation got him into trouble. That lack of objectivity really hurt the magazine''s credibility in my opinion. It alienated a great many potential advertisers and allies. Too bad. But it''s probably "creative destruction" and a new publication, paper or virtual, will move into to the "ecological niche" left by Colored Stone. Richard M. (Rick Martin) |